The solemn affectation of Greek and Roman forms was so ridiculous…it produced ponderous and frigid monstrosity. —Benjamin Silliman, 1854
The Secretaire à Abattant seen here, a French form that gained favor in America in the 1820s,is unmistakably rooted in classical architecture. Its thick columns and pilasters have meticulously carved capitals. The dark mahogany and light maple veneer create contrasting geometric shapes, a decorative device common in ancient architecture. The gilt appliqués on the lower doors feature torches, Roman symbols of liberty. Silliman saw little purpose in this “solemn affectation of Greek and Roman forms” and preferred furniture more obviously suited to its intended use.