1. Joan Parry Dutton, The Flower World of Williamsburg (Williamsburg, Va.: Colonial Williamsburg Foundation, 1973). 2. Jeannette Lasansky, “Pennsylvania Pottery in Berks County Collections,” Antiques 138, no. 4 (October 1990): 810–19. 3. Cynthia Arps Corbett, Useful Art: Long Island Pottery (Setauket, N.Y.: Society for the Preservation of Long Island Antiquities, 1985). 4. Ibid., pp. 20–25. 5. Lynne Sussman, “Mocha, Banded, Cat’s Eye, and Other Factory-made Slipware,” Studies in Northeast Historical Archaeology Monograph Series, no. 1 (Boston: Council for Northeastern Archaeology, 1997). 6. Corbett, Useful Art: Long Island Pottery, p. 29. 7. Exhibition catalog, A Passion for the Past: The Collection of Bertram K. and Nina Fletcher Little at Cogswell Grant (New York: The American Federation for the Arts, 1996). 8. Deborah J. Johnson, William Sydney Mount: Works in the Collection of The Long Island Museum (New York: Museums at Stony Brook, 1998). 9. Deborah J. Johnson, Shepard Alonzo Mount: His Life and Art (New York: Museums at Stony Brook, 1988). 10. Lura Woodside Watkins, Early New England Potters and Their Wares (Cambridge, Mass.: Harvard University Press, 1950); William C. Ketchum, Jr., Potters and Potteries of New York State, 1650–1900 (Syracuse, N.Y.: Syracuse University Press, 1987), pp. 88–103. 11. Richard M. Bayles, Sketches of SuVolk County, Historical and Descriptive (Port JeVerson, N.Y.: privately printed, 1874). 12. Nurhan Atasoy and Julian Raby, Iznik, The Pottery of Ottoman Turkey (London: Alexandria Press, 1989), p. 49. 13. Simon Spero, The Bowles Collection of 18th-Century English and French Porcelain (San Francisco: Fine Arts Museum of San Francisco, 1995), p. xxi.