Barbara H. Magid
Commemorative Wares in George Washington’s Hometown

“The people of Alexandria were always patriotic and public spirited,” wrote an Alexandrian on December 21, 1861, reminiscing about the city in the early nineteenth century.1 Founded in 1749, Alexandria, Virginia, is certainly not among America’s oldest cities, but justifiably prides itself as being the hometown of George Washington (fig. 1) and Robert E. Lee. In the 1980s a billboard at the entrance to town declared it to be “America’s Most Historic City.” Events such as George Washington’s Birthnight Ball and Lafayette’s 1824 visit to Alexandria, both causes for great celebration, are re-created annually. These and other occasions of local and national significance were commemorated in ceramics that have been recovered from archaeological excavations at many of Alexandria’s private homes and taverns. Several of the city’s historic sites are also commemorated in ceramics, some of which are preserved in the collection of The Lyceum: Alexandria’s History Museum.

Commemorative wares first reached the American market during the colonial period and the early years of transfer printing. Only a few commemorative ceramics from the colonial period have been found in Alexandria, however, and these depict English heroes—Frederick the Great, Major-General James Wolfe, and Lord Rodney—and celebrate British alliances and victories in the Seven Years’ War, known in the United States as the French and Indian War.

After the Revolution, English potters recognized a fertile market in America and began to sell patriotic creamware there starting about 1800. Popular patterns included depictions of George Washington and other notable American personages. A pattern known as Britannia, or Pax, made to commemorate the Treaty of Amiens in 1802, was also popular. These wares celebrated not only the British victory against Napoleon but the end of America’s Quasi-War with France.

Fewer English wares reached American shores after the Embargo Act of 1807 and before the Treaty of Ghent, which ended the War of 1812 on Christmas Day 1814. After the resumption of trade, English-made American historical wares reached Alexandria and other ports in great quantities. Shell-edged plates depicted the American eagle (adopted as the Great Seal of the United States in 1782),2 and various commemorative wares celebrated peace and such American heroes of the War of 1812 as Zebulon Pike and Jacob Jones. Lafayette and Cornwallis were honored after Lafayette’s celebrated visit to America, and Presidents Andrew Jackson and William Henry Harrison were portrayed in ceramics in 1829 and 1841, respectively.

In the nineteenth century ceramics celebrated America itself, portraying views of historic and scenic sites. Transfer-printed ceramics, imported from England, depicting scenes from Washington, D.C., to Boston have been found in excavations in Alexandria. Although not found archaeologically, scenes of Alexandria were depicted on ceramics at the turn of the twentieth century; two of these sites, Christ Church and Braddock House (known today as the Carlyle House), have national significance. Later in the twentieth century, popular local properties, such as the Washington Street Methodist Church and the George Washington Masonic National Memorial, commissioned their own commemorative wares.

Alexandria and the French and Indian War
The French and Indian War (1754–1763) resulted in France losing most of its North American territories to England. British Major General Edward Braddock, commander-in-chief of all British forces in North America, arrived in Alexandria with about 1,600 British troops. For three weeks in 1755, he was headquartered at the house of John Carlyle (fig. 2), a prominent merchant and one of the founding fathers of Alexandria. Braddock appointed Carlyle, who had just resigned as overseer of the town, to provision the British forces.3

During Braddock’s visit, a congress of colonial governors met with military leaders at Carlyle’s house to plan their strategy against the French. In a letter to William Fairfax dated April 23, 1755, George Washington wrote: “Alexandria has been honoured with 5 Governours in Consultation—a favorable presage I hope, not only of the success of this Expedition, but of the future greatness of this town for surely, such a meeting must have been occasioned by the Commodious, and pleasant situation of the place.”4 John Carlyle, however, was less than pleased with his illustrious visitors. On August 15, 1755, he wrote to his brother George:

Carlyle characterized Braddock as “a man (if I am a judge) of Week [sic] understanding, Positive, & Very Indolent; Slave to his Passions, Women & Wine... Tho’ a brave man.” Nevertheless, he wrote of the gathering as “the Greatest Congress held at My home ever known on This Continent . . . .”5

The war spread from America to Europe in 1756. Frederick the Great of Prussia allied with Britain against Maria Theresa of Austria, who was allied with the French. The British gave active aid to Prussia beginning in 1758, and their battles against French forces were commemorated with white salt-glazed stoneware plates marked “Success to the King of Prussia” (fig. 3).6 In America, Braddock led a band of British and colonial soldiers, among them George Washington, against the French at Fort Duquesne (located in what is now Pittsburgh, Pennsylvania). He died of battle injuries, and Washington led the surviving troops to safety.

Braddock’s visit, the involvement of George Washington, and the participation of local troops gave immediacy to the French and Indian War for Alexandrians, and this was reflected in everything from wares to street names. In addition to a King of Prussia plate, archaeologists found later wares, one of which depicts General Wolfe, who led British forces in the capture of the city of Quebec from the French. The battle on the Plains of Abraham, on September 13, 1759, lasted less than an hour but is considered the decisive battle of the French and Indian War. Both Wolfe and his rival, the French marquis de Montcalm, died from battle wounds. A letter written five days later by Rear Admiral Charles Holmes described the battle:

The Death of Wolfe, a well-known neoclassical painting of 1770 by Benjamin West, is the source of an engraving on a English creamware pitcher fragment found in Alexandria (fig. 4) as well as on similar wares made by other English potteries. The Alexandria pitcher differs from a Wedgwood pitcher illustrated by Ellouise Baker Larsen in several ways.8 The most significant involves a standing figure to the left of the group surrounding the dying general. This figure is a reverse image of an officer with clasped hands who stands to the right in the original painting.9

A later ware found by archaeologists in Alexandria depicts Lord Rodney, who by capturing Martinique from the French became another hero of the French and Indian War. However, in the American Revolution Rodney became an enemy of the colonists, defeating the Spanish fleet off Cape St. Vincent and then the French fleet (both countries were American allies) at the Battle of the Saints. After his successes for the British, Rodney was made a baron in 1782, and his likeness appeared on pub signs as well as commemorative pottery.10

Rodney’s exploits during the Revolution were certainly known to Alexandrians. An extract of a letter from Jamaica, dated March 17, 1784, was reprinted in the Alexandria Gazette: “A military gentleman, sailing here from Antigua, called at St. Eustatius. There he found the inhabitants amusing themselves by burning Lord Rodney and General Vaughan in effigy, the island having been returned to the Dutch the day before.”11 A fragment of a tankard depicting Lord Rodney (fig. 5) that was found on an archaeological site in Alexandria was made around the time that this letter was published. Its presence may indicate loyalist sentiments lurking in an Alexandria household, or it may simply commemorate a well-known figure of the day.

Alexandria Mourns George Washington
Alexandria has always taken great pride in being the hometown of George Washington. A replica of his town house, which was demolished in 1857, stands at 508 Cameron Street (fig. 6), and his family pew at Christ Church (fig. 7) still bears his name.12 Washington frequented many of Alexandria’s taverns for both business and pleasure. He dined at Lomax’s Tavern with Lafayette in 1784 and celebrated the ratification of the Constitution at Wise’s Tavern in 1788. At Gadsby’s Tavern, also known as the City Hotel, he danced at his own Birthnight Balls, which are still celebrated today (fig. 8).

The importance of Washington’s birthday celebrations in the 1830s was recounted in the reminiscences of an “Old Bachelor” on his return to Alexandria thirty years later.

Drs. James Craik and Elisha Cullen Dick, who attended Washington on his deathbed, were both Alexandrians. Their account of Washington’s final illness, which was published in the Virginia Herald, ended with these words: “During the short period of his illness, he economized his time, in the arrangement of such few concerns as required his attention, with the utmost serenity; and anticipated his approaching dissolution with every demonstration of that equanimity for which his whole life has been so uniformly and singularly conspicuous.”14

The bells of the Old Presbyterian Meeting House tolled for four days and nights after Washington’s death, and a memorial service was held there on December 29, 1799.15 The news of Washington’s death and its effect on Alexandrians appeared in the Alexandria Times and District of Columbia Advertiser:

Similar to the title of that article, the words “HE IN GLORY · AMERICA IN TEARS” were printed on English creamware pitchers commemorating Washington’s death. One of them, a mourning pitcher recovered from excavations in a well behind 416–418 King Street, Alexandria (fig. 9), has been attributed to the Herculaneum Pottery in Liverpool, England.17 A tanner, Robert William Kirk, owned a store and dwelling on this property from the time of Washington’s death until 1804, when it was sold to Jacob Fortney, who owned a stable and blacksmith shop.

Commemorative wares were again issued at special anniversaries of Washington and the nation. A surviving fragment of a Rockingham teapot or pitcher depicting Washington’s bust was discovered (fig. 10), along with other artifacts from the 1840s and 1850s, during excavations in Alexandria. The teapot or pitcher probably was made in 1849 to commemorate the fiftieth anniversary of Washington’s death, reflecting his continued importance to Americans (and Alexandrians in particular, who hold the largest parade in the country in honor of Washington’s birthday). In 1875, in time for America’s centennial and just after the seventy-fifth anniversary of Washington’s death, Wedgwood made a bust of Washington based on the famous sculpture by the French sculptor Jean-Antoine Houdon (fig. 11).18

Alexandria and America’s Quasi-War with France
The household of Samuel Snowden, editor of the Alexandria Gazette, discarded a large punch bowl with a transfer-printed pattern known as Britannia or Pax (fig. 12). Archaeological excavations also show that a neighboring house around the corner on the 400 block of King Street had a set of teacups and saucers in the same pattern (fig. 13), as did McKnight’s Tavern across the street (fig. 14). The pattern celebrates the Treaty of Amiens in 1802 and symbolizes Britain’s victory over France, although Americans may have purchased these wares to celebrate their country’s own victories over the French and Napoleon.19

The Britannia wares were first manufactured in 1802 and may have reached America any time before the Embargo of 1807, which was instituted by President Thomas Jefferson against the French and English for interfering with American shipping. Pearlware vessels such as these, in which the outline of the design was transfer printed in brown and then painted in polychrome colors, are sometimes known as Salopian ware (i.e., from Shropshire), although the wares were made by a number of English factories in the early part of the nineteenth century. They were commonly made for the American market and are found more often in this country than in England.20

A variety of wares depicting the American eagle and patriotic themes also date from these years, before the 1807 embargo. The eagle from the Great Seal of the United States is featured on two pitchers made in the style of the Castleford Pottery, with molded borders separating panels with molded relief patterns. The Castleford Pottery is not known to have made wares with American symbols, but their style of pottery was copied by several other manufacturers, and attributions can sometimes be made based on the molded relief patterns used as borders. A Castleford-style white feldspathic stoneware pitcher (fig. 15) has been attributed to Sowter and Company,21 and a pearlware pitcher (fig. 16) has been attributed to the Leeds Pottery based on its similarity to a feldspathic stoneware sucrier commemorating Admiral Lord Nelson and General Howe.22 The eagle emblem has also been found on a soft-paste porcelain saucer (fig. 17) and a bone china coffee can (fig. 18), both manufactured in England.23 A patriotic pitcher attributed to the Herculaneum Pottery shows a reproduction of the print An Emblem of America (fig. 19), first published in 1799. It depicts a central female figure, draped in classical garb and holding an American flag, flanked by Indians and portrait medallions of some of America’s best-known figures, including Christopher Columbus, Americus, Sir Walter Raleigh, Benjamin Franklin, George Washington, and John Adams.24

In 1781 America’s French allies under Jean-Baptiste-Donatien de Vimeur, comte de Rochambeau, encamped in Alexandria, near Four Mile Run, on their way to Yorktown and the defeat of the British. “The most elegant and handsome young ladies of the neighborhood danced with the (French) officers on the turf, in the middle of the camp, to the sound of military music.”25 America’s alliance with the French had been instrumental in winning American independence, and Americans were supportive of the goals and ideals of the French Revolution through the storming of the Bastille in 1789 and the beginnings of the French Republic in 1792. A few months after Louis XVI was deposed, however, the Reign of Terror began, and thousands were executed within the year, events that horrified Americans. As French power spread through Europe, Americans became mistrustful of France’s growing empire and concerned with French expansion in Louisiana. In 1794 Congress declared neutrality in the Anglo-French conflict, a move the French believed violated a 1778 treaty that required America to help protect French colonies in the West Indies against the British. In retaliation, French privateers attacked American merchant ships, leading to an undeclared naval war that became known as the Quasi-War.26

The port of Alexandria played a role in the attack of the fledgling U.S. Navy against privateers in the West Indies. In May 1798 Lieutenant James Triplett was sent from Baltimore to Alexandria to “engage as many Seamen and Marines as he can find disposed to enter on board the Frigate Constellation.” In the next year at least three privateers were built at Alexandria shipyards, each carrying twenty-two guns and fifty-four crewmen.27

By 1800 many of Alexandria’s wharves had been converted for construction of ships for the Quasi-War. Even the County Wharf, which had been in disrepair, was refurbished for shipbuilding. The French seized at least twenty of the Alexandria-built ships in the West Indies.28 In April 1799 the secretary of the navy authorized a brig with eighteen guns to be built in Alexandria. However, the order was rescinded three weeks later, amid concerns about how quickly the ship could be built. The navy instead ordered 40,000 pounds of ships’ bread from the Jamieson bakery in Alexandria.

Trade with Europe and the West Indies was immensely important for Alexandria, one of the largest ports in the United States at the beginning of the nineteenth century, and the town had suffered as a result of the Anglo-French and American-French hostilities. The end of the Quasi-War with France aroused patriotic fervor in Alexandria—and, indeed, the nation—and these commemorative wares were one manifestation of the sentiment. Alexandrians were celebrating not only the Treaty of Amiens and the new, albeit short-lived, peace in Europe but also the end of American-French hostilities in the West Indies and the Louisiana Purchase in 1803, which ended French occupation in North America and nearly doubled the size of the United States.

Two great English heroes of the long Napoleonic Wars are portrayed on ceramics found in Alexandria: Vice Admiral Horatio Nelson on a pitcher from Arell’s Tavern (fig. 20), and the duke of Wellington on a basalt stoneware creamer and a creamware pitcher from homes nearby (figs. 21, 22). Although Nelson died tragically at Trafalgar on October 21, 1805, his troops were victorious over Napoleon. After this naval defeat France was no longer a threat to Britain, and Nelson, a greatly loved British hero, was commemorated with a large assortment of souvenirs. A decade later, in June 1815, the duke of Wellington defeated Napoleon on land at the Battle of Waterloo, near Brussels. The Wellington ceramics commemorate this battle, which ended twenty-three years of war between Britain and France and exiled Napoleon to St. Helena. Wellington became a hero throughout Europe. He played a role in the War of 1812, urging Britain to accept the Treaty of Ghent, which brought to a close the war with the United States, and went on to become Britain’s prime minister in 1828.

Alexandria and the War of 1812
The Embargo of 1807, placed by Jefferson on commercial trade with England, was in response to a British decree that limited American trade and required that duty be paid at British ports. Ultimately leading to the War of 1812, the embargo greatly affected Staffordshire potteries, which had enjoyed a lucrative trade with America. From 1795 to 1800 approximately ten million pieces of Staffordshire pottery were imported annually by American merchants, and although trade did not cease during the embargo, production at the potteries decreased by 60 percent and unemployment was high.29

After the War of 1812 began, Alexandria merchants again supplied the navy with ships’ biscuits and other supplies, as they had during the Quasi-War with France. On August 23, 1814, British troops set fire to Washington. A British soldier wrote:

Threatened with an invasion as well, and with insufficient forces to defend its city, Alexandria’s Common Council surrendered to the British without resistance. British forces occupied the city for five days, from August 29 through September 2, and although the British did not burn the city, they looted its stores and warehouses. According to the terms of capitulation, “The town of Alexandria, with the exception of public works, shall not be destroyed, unless hostilities are commenced on the part of the Americans; nor shall the inhabitants be molested in any manner whatever, or their dwelling-houses entered, if the following articles are complied with. . . .”31 Alexandria’s mayor wrote: “It is impossible that men could behave better than the Britissh [sic] behaved while the town was in their power, not a single inhabitant was insulted or injured by them in their person or houses.”32 A prominent Alexandrian Quaker, the apothecary Edward Stabler, wrote: “Their conduct was respectful and decorous; and instead of that exultation and triumph which expands the heart of a soldier when he encounters and overcomes a force like his own, these were evidently dejected and adverse to what they were doing.”33

Alexandria was sharply criticized and ridiculed for its surrender, however. A political cartoon published in Philadelphia in 1814 (fig. 23) shows Alexandrians cowering and pleading with Johnny Bull, symbolic of England.34 On August 31, 1814, an editorial in the Richmond Enquirer stated, “In what terms can we express our indignation against the conduct of the citizens of Alexandria? Thanks be to the Almighty God: that this degraded town no longer forms a part of the state of Virginia!”35

When the Treaty of Ghent was signed, on Christmas Day 1814, Alexandria had much to celebrate. With the end of the War of 1812, America’s continuing independence was assured and the seas were open to trade with all nations. A number of ceramics celebrating the end of the war and honoring its heroes have been found at archaeological excavations in Alexandria, many at tavern sites.

Arell’s Tavern, in particular, used many patriotic pieces, including a set of small shell-edged plates with an “even scallop” pattern and depicting the American eagle (fig. 24), a motif that appears on wares made before the Embargo of 1807 (see, for example, figs. 15–18) but was commonly used following the end of the War of 1812.36 These dishes were popular among the lower and middle classes from about 1815 to 1830 37 and therefore were appropriate for Arell’s, a working-class tavern. Another blue shell-edged eagle plate was found at McKnight’s Tavern, which was known by its sign of the spread eagle.

Merchant ships were also a common motif on creamware pitchers, celebrating the resumption of trade following the War of 1812 and the prosperity it was expected to bring. McKnight’s Tavern, for example, had a creamware pitcher showing a merchant ship under sail (fig. 25), a motif often used on the reverse of other commemorative patterns.

Many variations of the popular print Peace, Plenty and Independence appeared on creamware and pearlware pitchers made for the American market by the Staffordshire potters Enoch Wood and Sons, Herculaneum, and others. The print depicts the spread eagle perched atop a cannon, beneath which is a circle with the slogan “Peace, Plenty and Independence.” There is a female figure at right, Peace, who torches the tools of war; a figure at left, Plenty, holds a sheaf of wheat and a cornucopia. Creamware pitchers were found at Arell’s Tavern and Gadsby’s Tavern with representations of Peace, Plenty, and Independence. In cartouches under the spout of the pitcher from Arell’s (fig. 26) appear the names of Georgia, Massachusetts, and New Jersey. The example from Gadsby’s (fig. 27), which was produced at another pottery, has a version of the Great Seal under the spout with the eagle carrying a ribbon bearing the motto “E PLURIBUS UNUM.”

Gadsby’s Tavern also had a pearlware transfer-printed serving dish, attributed to James and Ralph Clews, circa 1818–1834, which was part of a series known as America and Independence (fig. 28). Despite the generic English landscapes, the America and Independence series has strong American patriotic content.

From nearby residential sites, archaeologists recovered pitchers with representations of Virtue and Valour and Peace and Plenty, and others honoring the war heroes General Zebulon Pike and Captain Jacob Jones. An Alexandria creamware pitcher (fig. 29) found in a privy on a residential site depicts a soldier standing on a lion (Britain) and gesturing toward a merchant ship under sail. American flags and weapons of war ornament the cartouche. Many different versions of this print appear on pitchers, bowls, and plates, and each usually includes the words “By Virtue and Valour We Have Freed Our Country, Extended Our Commerce, and Laid the Foundation of a Great Empire.”38

On the stoneware Peace and Plenty pitcher (fig. 30), hands clasped in friendship and the caduceus represent Peace, and the overflowing cornucopia represents Plenty.39 The American Eagle is depicted on one side, and Miss Liberty on the other. This depiction of Liberty is known as the “capped bust to right” found on gold coins from about 1795 to 1806.40 The same pattern is also found on a blue or tan ground.41 This pitcher celebrates the Treaty of Ghent, which was signed on December 25, 1814, but similar pitchers and mugs were made to celebrate the Battle of Waterloo, which took place six months later. On these pieces the words “Peace and Plenty” were replaced with “La Belle Aliance,” a reference to the meeting between the duke of Wellington and Marshal Blücher at the inn of that name. On the sides are busts of Wellington, or Wellington and Blücher, replacing the Eagle and Liberty.42

Rembrandt Peale’s portraits Jones of the Macedonian and General Pike, first published in 1813,43 adorn a creamware pitcher with a buff-colored ground attributed to Enoch Wood (fig. 31). Jacob Jones was appointed midshipman in 1799 and served during the Quasi-War with France. In the War of 1812, as commander of the Wasp he captured the British brig Dolphin and defeated the British warship Frolic. After he was commissioned captain, in 1813, Jones commanded the Macedonian, which in 1815, after the war, he commanded against the Barbary powers in Algiers.44 General Zebulon Pike was an explorer, best known for his discovery of Pike’s Peak in Colorado. Pike led expeditions on behalf of the U.S. Army to explore the headwaters of the Mississippi River and the southwestern borders of the Louisiana Purchase. A brigadier general in the War of 1812, Pike commanded American troops at the Battle of York (now Toronto) on April 27, 1813. As his troops entered the fort, the British blew up a stone powder magazine. The rain of stone and timber killed Pike and many of his men. Still, the Americans captured the fort and began to take control of the Great Lakes.45

“A La Fayette this, and a La Fayette that”
Lafayette served on George Washington’s staff and helped to defeat Cornwallis at Yorktown. Cornwallis surrendered to American and French allies under Washington in what is considered to be the definitive battle of the Revolution. Lafayette returned to France and the French Revolution but was forced to flee during the Napoleonic era; he returned to public life in France after Napoleon’s defeat.

General Lafayette’s triumphal tour of America in 1824, after a forty-year absence, was celebrated throughout the country. As the last surviving general of the Revolutionary War, Lafayette was invited by President James Monroe to be “the Nation’s Guest.” He attended parades, ceremonies, and receptions in all twenty-four states. Lafayette visited Alexandria five times,46 but his most important visit began on October 19, 1824, when a grand reception and celebration were held in his honor.

For almost a month Lafayette resided at 301 South St. Asaph Street, in an imposing brick house lent to him by Mrs. Thomas Lawrason (fig. 32).48 Another contemporary, the well-known Quaker educator Benjamin Hallowell, wrote in his diary:

Another account of the procession describes “a fully rigged ship hung beneath the central span of the arch and the whole . . . decorated with cedar, laurel and oak, set off by a liberty cap.”50 Regarding Colonel Mountford and the eagle, the “Old Bachelor” adds:

Numerous Lafayette souvenirs were available throughout the country in anticipation of Lafayette’s visit, and they continued to be sold for more than a year. In September 1824 the Alexandria Gazette advertised “La Fayette badges” for sale at J. H. Runnell’s hat and fancy store on King Street.52 On July 14, 1825, another King Street merchant, Robert H. Miller, offered “China cups and saucers, Tea plates & snuff boxes, Imitation China pitchers, Mugs and bowls, Lustre pitchers of all sizes, mugs and cans With a drawing of La Fayette & the surrender of Cornwallis. Executed expressly for him, from a drawing sent out.”53 These proved to be so popular that in March 1826 Miller offered “a further supply of Lafayette Ware” along with “tea-sets gold edge and view of Mount Vernon.”54 A prominent member of Alexandria’s Quaker community, as well as the son and grandson of successful merchants, Miller was one of Alexandria’s foremost businessmen and most influential citizens.55

Archaeologists recovered a Lafayette and Cornwallis pearlware mug (fig. 33, right) from a well in which it had been discarded by the family of Ann Buckland, who lived at 104 South St. Asaph Street from 1810 to 1834.56 Several examples of ceramics marked “Manufactured for Robt H. Miller/ Alexandria D·C” have been found in Alexandria (see figs. 34, 36), and although this mug is unmarked, it fits the description in Miller’s 1825 advertisement. The mug is adorned with an engraving, Lafayette Crowned at Yorktown, depicting two angels holding the wreath of laurels with which Lafayette was crowned at Yorktown in 1824. On the reverse is Cornwallis Resigning His Sword at York Town, Oct. 19, 1781, which originally illustrated the epic patriotic poem “The Columbiad,” published by Joel Barlow in 1807.57 This print was also used on earlier creamware.58

A small coffee can with a similar image of Lafayette Crowned at Yorktown was found in a well associated with Gadsby’s Tavern, one of the places at which Lafayette is known to have dined. The coffee can is of pearlware with a black overglaze transfer print and a purple luster rim (see fig. 33, left).

Benjamin Hallowell wrote about the ubiquitous Lafayette souvenirs in a letter to his uncle, as well as in his diary. Hallowell and his wife were returning from their wedding, which had taken place the day before Lafayette’s visit to Alexandria:

Alexandria and Presidential Campaigns
Two American heroes of the War of 1812, Andrew Jackson and William Henry Harrison, went on to become president of the United States—in 1829 and 1841, respectively—and the Alexandria merchant Robert H. Miller imported campaign souvenirs for both of their elections.

Andrew Jackson
On January 3, 1829, the Alexandria Gazette advertised: “Robert H. Miller has just received per Pioneer, direct from Liverpool, a further supply of earthenware & china; among which are . . . plain and lustred pitchers, mugs, twiflers and muffins with an excellent portrait of Gen. Jackson....” One such “lustred” pitcher, which had been made for Jackson’s presidential election (fig. 35), was found in a privy at 522–524 King Street.60 This property was occupied by a series of short-term renters, one of whom was Lewis McKenzie, a grocer and Union sympathizer who became Alexandria’s mayor during the Civil War.

Andrew Jackson became the seventh president of the United States on March 4, 1829, after an unsuccessful attempt four years earlier. Born on the frontier and known as “Old Hickory,” he was hailed as a symbol of the common man. He was nationally known for leading American troops to victory in the Battle of New Orleans, a battle fought on January 8, 1815, two weeks after the Treaty of Ghent was signed. In the days of slow communication, word that the treaty had been signed in Europe did not reach troops in America, and the Battle of New Orleans was the decisive battle ending the war. The American public heard about the battle before it heard about the treaty, and so hailed Jackson for his role in ending the war. His popularity as a military hero helped him to gain the presidency.

In 1833, during his second term, Jackson was aboard the presidential steamer in Alexandria’s harbor when Lieutenant Robert Beverly Randolph, a naval officer who had been dismissed for misconduct, went on board and assaulted Jackson, striking him in the face (or, by another account, seizing his nose). Randolph was held and punched in the ribs, but in the confusion his friends helped him to escape and provided him with a horse. One of them was said to be the son-in-law of John Gadsby, former owner of Gadsby’s Tavern. Randolph was not captured for several months and the charges eventually were dismissed.61

William Henry Harrison
Harrison, like Jackson, was a nationally known military hero. He served in a campaign against the Indians, which opened up the Ohio frontier. He served as secretary of the Northwest Territory and, later, as governor of the Indiana Territory. Harrison worked to obtain Indian lands and met opposition from Tecumseh. Harrison is remembered for fighting Tecumseh and the Indian confederacy at the Battle of Tippecanoe in 1811. In the War of 1812 he defeated British and Indian forces near Lake Erie. His old nemesis Tecumseh was killed in this battle, which ended serious Indian resistance in the Northwest.

Harrison was cast as the common man, as was Jackson, although he was a candidate of the conservative Whig Party, the opponents of Jacksonian democracy. Harrison was the son of an aristocratic Virginia planter, but his military and political career in the Northwest enabled him to be presented as a simple frontiersman, in contrast to the aristocratic Martin Van Buren. With the “Log Cabin” campaign and the slogan “Tippecanoe and Tyler Too,” Harrison was the first presidential candidate to conduct a public campaign. Harrison, said to have caught cold at his inauguration, developed pneumonia and died after only one month in office, ending the hopes of the Whig Party.62

Whereas the ceramic pitchers commemorating Andrew Jackson were imported from England by R. H. Miller after Jackson was elected president, the Harrison wares were souvenirs distributed as part of his election campaign. An advertisement published in the Alexandria Gazette on September 19, 1840, read in part: “N.B.— By an early arrival, R.H.M. expects supplies of ware with Harrison and Log Cabin engravings, from designs sent out to the Potteries by himself. Whig merchants will be supplied upon the ‘Credit System’ at reasonable prices, in time to celebrate the approaching triumph of correct principles.”

Fragments of a Harrison pitcher (fig. 36) with an overglaze green transfer print were recovered from a well on Market Square containing artifacts relating to a doctor’s office. The pitcher is marked “Manufactured for Robt H. Miller, Alexandria DC.”63 Robert Miller’s son Warwick recalled:

Harrison commemorative wares, including a plate and a cup and saucer, were also found in recent excavations at the site of the Benjamin Delaney mansion on Shuter’s Hill. The mansion burned in 1842, just one year after the election. The Harrison plate fragment is similar to the pitcher, with a green overglaze transfer-printed portrait. The three small fragments from a Harrison teacup and saucer have black underglaze transfer prints. The Alexandria fragments are whiteware but correspond to a cup and saucer illustrated in David and Linda Arman’s Anglo-American Ceramics that are listed as StaVordshire porcelain. On the saucer is a portrait of Harrison flanked by flags; below are the words “Harrison and Reform” and, above, “Our Country’s Hope.”66 In a reference to Harrison’s so-called log cabin upbringing promoted in his presidential campaign, the cup shows on one side a log cabin with the words “To Let in 1841.”

Alexandria and the Civil War: The Marshall House Incident
On May 23, 1861, when Virginia voted to secede from the Union, James A. Jackson, a notorious secessionist and the proprietor of the Marshall House Hotel, raised a Confederate flag on the hotel’s roof (fig. 37). The next day, Colonel Elmer Ellsworth, commander of the New York Fire Zoaves and well known throughout the country before the war, led his federal troops into Alexandria to occupy the city. In the ensuing incident Jackson became the first civilian casualty and Ellsworth the first martyr for the Union.

In the days and months leading up to the incident, Alexandria was in turmoil, fearing that the Union would be dissolved and that chaos would result. On election day in 1860 the editor of the Alexandria Gazette wrote:

Alexandria voted overwhelmingly for the Constitutional-Unionist candidate John Bell, with only two votes cast for Abraham Lincoln. The Gazette’s view on Lincoln’s election was that “the result was expected as well as dreaded. . . . The crisis is upon us and we must continue to do our duty to our country!”68

The Virginia state convention passed an ordinance of secession from the Union on April 17, 1861. That same day, James A. Jackson raised the Confederate flag at the Marshall House Hotel, at the southeast corner of King and Pitt Streets. The Alexandria Gazette reported:

On May 23 Virginians voted to ratify the ordinance of secession—with Alexandria voting 958 for and 48 against. Alexandria was occupied by federal troops the next day. As Colonel Ellsworth led his troops up King Street to seize the telegraph office, he saw the Confederate flag flying atop the Marshall House. Ellsworth entered the hotel and went up to the roof, where he seized the flag. On his way down the stairs, Jackson approached him with a shotgun and killed him. He also fired at Private Brownell, but missed. Jackson, killed by Brownell, became the first civilian casualty of the war. On June 15, 1861, Harper’s Weekly published this graphic account “from the pen of Mr. House, the [New York] Tribune correspondent, who actually had his hand on Colonel Ellsworth’s shoulder when Jackson shot him”:

A coroner’s inquest found that Jackson had died in defense of his private property. When the troops learned of Ellsworth’s death, they talked of burning the town, but calm was restored. Work on Fort Ellsworth, part of a ring of Union forts known as the Defenses of Washington, began two days later. The outlines of the fort’s earthworks are still visible on Shuter’s Hill, on upper King Street in Alexandria.70

The Marshall House incident had a great eVect on Alexandria and the nation. Jackson and Ellsworth were regarded as heroes and martyrs by their respective constituents. Union soldiers as well as Confederate supporters visited the empty hotel and took souvenirs of the event, including fragments of the flagpole and even the stair banisters and flooring.71 A framed fragment of the Marshall House’s Confederate flag and the large wooden O from the hotel’s sign are preserved in the collection of Alexandria’s Fort Ward Museum. Another souvenir of this incident was the Ellsworth pitcher (fig. 38), produced later that year in Trenton, New Jersey.72 The pitcher, which illustrates the incident in molded relief, labels Jackson “the Traitor.” The Ellsworth pitcher has not been found archaeologically, but an antique example is preserved in the collection of The Lyceum: Alexandria’s History Museum. Alexandria remained an occupied city for the remainder of the war. More than half of Alexandria’s men left town, either to fight or to escape the occupation. In 1863 the New York Herald reported that Alexandria “has essentially become a military city. Its streets, its docks, its warehouses, its dwellings, and its suburbs have been absorbed to the thousand uses of war . . . . Alexandria is filled with ruined people; they walk as strangers through their ancient streets, and their property is no longer theirs to possess. . . .”73

Alexandria Landmarks
In the eighteenth and early nineteenth century, the Staffordshire Potteries usually designed commemorative wares that were for sale to interested merchants. By the 1820s, however, china merchants such as Robert H. Miller were commissioning designs from the potteries. These continued to be, in many cases, stock designs, but they were made to order and marked with the merchant’s name. Examples of commissioned designs are the Lafayette and Harrison wares made for Robert H. Miller in the 1820s and 1840s (see figs. 34, 36).

Queen Victoria’s Jubilee, in 1897, may have provided the impetus for a revival in souvenir wares, which ultimately led to a renewed interest in American landmarks. Many of the wares for the American market were made in Austria and Germany (figs. 39–42), as well as in the United States, rather than in England. Another factor in the revival was the development of new printing techniques, including the full-color process known as decalomania, introduced in the 1890s. None of these later souvenir wares has been found archaeologically in Alexandria, but several views of the city’s landmarks, including historic Christ Church and the Carlyle House (once known as the Braddock House), were immortalized in ceramics around the turn of the century.

At the turn of the twentieth century, manufacturers and importers continued to create series of commemorative wares, marketing them to local merchants or directly to the historic properties. Both the Christ Church pitchers and the later Methodist Church plate are part of a series of churches from around the country. The Braddock House plate is from a series of postcards that C. E. Wheelock imported from Germany along with the ceramic wares. The Christ Church pitchers and Braddock House box were made for Robert’s son E. J. Miller, and the Braddock House plate was made for R. E. Knight.74 Eventually, the historic sites themselves began to commission the wares, as with the Methodist Church plate from the 1950s and the more recent Masonic Memorial plate (figs. 44–48).

Specially made commemorative ceramics continue to be popular. The mug shown in figure 49, for example, was commissioned by the City of Alexandria’s 250th Birthday Commission to celebrate the 1999 anniversary of the city’s founding. The logo shows a three-masted schooner under sail, a reference to Alexandria’s maritime history. The logo was designed “to convey energy, optimism and strength for the future of the City.” Undoubtedly, discarded fragments of these mugs will one day end up in the local soils to join the other commemorative ceramics that constitute Alexandria’s archaeological record.

Acknowledgments
For sharing their vast knowledge of Alexandria’s history, I would like to thank T. Michael Miller, Research Historian for the City of Alexandria; Jim Mackay, Director of The Lyceum; and Timothy J. Dennée, a former employee of Alexandria Archaeology. Thanks also go to curator Kristin Lloyd for providing access to Alexandria commemorative wares in the collection of The Lyceum. I am grateful to Jean Federico, Director of the Office of Historic Alexandria, for her support of this project and for allowing me to use Eric Kvalsvik’s photographs of Alexandria’s historic sites, which were originally published in William Seale, A Guide to Historic Alexandria (Alexandria, Va.: City of Alexandria 250th Anniversary Commission, 2000). And, as always, the support, assistance, and editorial comments of Pamela J. Cressey, City Archaeologist, and all the staff of the Alexandria Archaeology Museum were invaluable.