Charles Willson Peale, Benjamin Randolph, Philadelphia, Pennsylvania, 1775–1780. Watercolor on ivory. 1 1/4" x 1". (Courtesy, Philadelphia Museum of Art; gift of Mr. and Mrs. Timothy Johnes Westbrook, 1990.)
Figure 2
Page 3 from Benjamin Randolph’s account book. (Courtesy, Manuscripts and Archives Division, New York Public Library, Astor, Lenox and Tilden Foundations.)
Figure 3
Page 35 from Benjamin Randolph’s account book. (Courtesy, Manuscripts and Archives Division, New York Public Library, Astor, Lenox and Tilden Foundations.)
Figure 4
Page 43 from Benjamin Randolph’s account book. (Courtesy, Manuscripts and Archives Division, New York Public Library, Astor, Lenox and Tilden Foundations.)
Figure 5
Chimneypiece from the Samuel Powel House, Philadelphia, Pennsylvania, 1770. (Courtesy, Philadelphia Museum of Art; photo, Gavin Ashworth.)
Figure 6
Detail of the center tablet of the chimneypiece illustrated in fig. 5. (Photo, Gavin Ashworth).
Figure 7
Chimneypiece from the Thomas Ringgold House, Chestertown, Maryland, ca. 1770. (Courtesy, Baltimore Museum of Art.)
Figure 8
Detail of the frieze appliqué over a door from the Thomas Ringgold House. (Photo, Gavin Ashworth.)
Figure 9
Detail of the frieze appliqué on the chimneypiece illustrated in fig. 7. (Photo, Gavin Ashworth.)
Armchair attributed to the shop of Benjamin Randolph, Philadelphia, Pennsylvania, ca. 1770. Mahogany. H. 37 5/8", W. 24 3/4" (seat), D. 19 3/4" (seat). (Private collection; photo, Joe Kindig Antiques.)
Figure 13
Detail of the knee carving on the side chair illustrated in fig. 11.
Figure 14
Detail of the knee carving on the armchair illustrated in fig. 12.
Figure 15
Tea table attributed to the shop of Benjamin Randolph, Philadelphia, Pennsylvania, 1765–1775. Mahogany. Dimensions not recorded. (Private collection; photo, Joe Kindig Antiques.)
Figure 16
Detail of the knee carving on the tea table illustrated in fig. 15.
Figure 17
Card table with carving attributed to Hercules Courtenay, Philadelphia, Pennsylvania, 1765–1775. Mahogany with unidentified secondary woods. Dimensions not recorded. (Private collection; photo, Mack Coffey.)
Figure 18
Detail of the knee carving on the card table illustrated in fig. 17.
Figure 19
Detail of the right mantle truss of the chimneypiece illustrated in fig. 5. (Photo, Gavin Ashworth.)
Figure 20
High chest attributed to the shop of Benjamin Randolph, Philadelphia, Pennsylvania, 1765–1770. Mahogany with poplar, yellow pine, and cedar. H. 89 7/8", W. 46 1/8", D. 23 5/8". (Courtesy, Nelson-Atkins Museum of Art.)
Figure 21
Detail of the inscription on the high chest illustrated in fig. 20.
Figure 22
Detail of the carving on the lower shell drawer of the high chest illustrated in fig. 20.
Figure 23
Detail of the knee carving on the high chest illustrated in fig. 20.
Figure 24
Base of a high chest with carving attributed to John Pollard, Philadelphia, Pennsylvania, 1765–1775. Mahogany with yellow pine, sweet gum, and white cedar. H. 38", W. 45 5/8", D. 22 13/16". (Courtesy, Diplomatic Reception Rooms, U.S. Department of State.)
Figure 25
Detail of the carving on the center drawer of the high chest base illustrated in fig. 24.
Figure 26
James Smither, trade card of Benjamin Randolph, Philadelphia, Pennsylvania, 1769. Engraving on paper. 7" x 9". (Courtesy, Library Company of Philadelphia.) The desk-and-bookcase at the bottom center was copied from an engraving in Thomas Chippendale’s Gentleman and Cabinet-Maker’s Director (see fig. 27). No other contemporary reproduction of that image in Philadelphia is known.
Figure 27
Design for a desk-and-bookcase illustrated on plate 108 in the third edition of Thomas Chippendale’s Gentleman and Cabinet-Maker’s Director (1762) This design appeared on pl. 78 in the first (1754) and second (1755) editions.
Figure 28
Desk-and-bookcase attributed to the shop of Benjamin Randolph, Philadelphia, Pennsylvania, ca. 1765. Mahogany with yellow pine, white cedar, poplar, and white oak. H. 114 1/4", W. 53 3/4", D. 26 7/8". (Courtesy, Kaufman Americana Collection; photo, Dirk Bakker.) The lower case of this desk-and-bookcase was derived from a design in Thomas Chippendale’s Gentleman and Cabinet-Maker’s Director (see fig. 27). The only other Philadelphia case piece with details corresponding to that design is a desk-and-bookcase (see fig. 31) with feet like those on the example shown here.
Figure 29
Detail of the carving on the left door adjacent to the lower drawers of the desk-and-bookcase illustrated in fig. 28. (Photo, Gavin Ashworth.)
Figure 30
Bill from Benjamin Randolph to George Croghan. (Courtesy, Historical Society of Pennsylvania, Cadwalader Collection.)
Figure 31
Desk-and-bookcase attributed to the shop of Benjamin Randolph with carving attributed to John Pollard, Philadelphia, Pennsylvania, ca. 1770. Mahogany with tulip poplar and white cedar. H. 98 1/2", W. 46", D. 25 1/2". (Private collection; photo, Gavin Ashworth.)
Figure 32
Detail of the left front foot of the desk-and-bookcase illustrated in fig. 28. (Photo, Gavin Ashworth.)
Figure 33
Detail of the left front foot of the desk-and-bookcase illustrated in fig. 31. (Photo, Gavin Ashworth.)
Figure 34
Detail showing the carving on the prospect door and flanking drawers in the writing compartment of the desk-and-bookcase illustrated in fig. 31. (Photo, Gavin Ashworth.)
Figure 35
Benjamin Randolph, card table, Philadelphia, Pennsylvania, 1765–1775. Mahogany with white oak and poplar. H. 28 3/4", W. 33 1/4", D. 16". (Courtesy, Winterthur Museum.)
Figure 36
Detail of the knee carving on the card table illustrated in fig. 35.
Figure 37
High chest attributed to the shop of Benjamin Randolph, Philadelphia, Pennsylvania, ca. 1770. Mahogany with poplar, yellow pine, white oak, and white cedar. H. 90 1/4", W. 45 5/8", D. 25 1/2". (Courtesy, Winterthur Museum.)
Figure 38
Detail of the knee carving on the high chest illustrated in fig. 37.
Figure 39
Detail of the tympanum appliqué of the high chest illustrated in fig. 37.
Figure 40
Detail of the garland to the right of the chimneypiece illustrated in fig. 7. (Photo, Gavin Ashworth.)
Figure 41
Tea table attributed to the shop of Benjamin Randolph, Philadelphia, Pennsylvania, ca. 1775. Mahogany. H. 29 1/2", diam. of top: 35". (Private collection; photo, Christie’s.)
Figure 42
Page 181 from Benjamin Randolph’s account book. (Courtesy, Manuscripts and Archives Division, New York Public Library, Astor, Lenox and Tilden Foundations.)
Figure 43
Detail of the knee carving on the tea table illustrated in fig. 41.
Figure 44
Easy chair attributed to the shop of Benjamin Randolph with carving attributed to John Pollard, Philadelphia, Pennsylvania, 1765–1775. Mahogany with white oak. H. 45 1/4", W. 24 3/8", D. 2715/16". (Courtesy, Philadelphia Museum of Art, purchased with museum funds, 1929.)
Figure 45
Sideboard table attributed to the shop of Benjamin Randolph with carving attributed to John Pollard, Philadelphia, Pennsylvania, 1765–1770. Mahogany with yellow pine and walnut. H. 32 3/8", W. 48", D. 23 1/4". (Courtesy, Metropolitan Museum of Art, John Stewart Kennedy Fund, 1918 [18.110.27]; photo, Gavin Ashworth.)
Figure 46
Details showing from top to bottom the carving on a side rail of the easy chair illustrated in fig. 44; the side rail of the sideboard table illustrated in fig. 45; and the left frieze appliqué below the mantle of the chimneypiece from the Stamper-Blackwell parlor.
Figure 47
Design for a pier glass and table illustrated on pl. 152 in the third edition of Thomas Chippendale’s Gentleman and Cabinet-Maker’s Director (1762). (Courtesy, Winterthur Museum.)
Figure 48
Side chair, attributed to the shop of Benjamin Randolph, Philadelphia, Pennsylvania, ca. 1769. Mahogany with white cedar. H. 36 3/4", W. 21 3/4" (seat), D. 17 7/8" (seat). (Chipstone Foundation; photo, Hans Lorenz.)
Figure 49
Charles Willson Peale, Lambert Cadwalader, Philadelphia, Pennsylvania, 1770. 50" x 40". (Courtesy, Philadelphia Museum of Art, purchased for the Cadwalader Collection with funds contributed by the Mabel Pew Myrin Trust and the gift of an anonymous donor.)
Figure 50
Detail of the knee carving on the side chair illustrated in fig. 48.
Figure 51
Side chair attributed to the shop of Benjamin Randolph, Philadelphia, Pennsylvania, 1765–1770. Mahogany. H. 37 1/2", W. 24 1/2", D. 21". (Courtesy, Philadelphia Museum of Art; photo, Gavin Ashworth.)
Figure 52
Detail of the carving on the left stile of the side chair illustrated in fig. 48.
Figure 53
Detail of the carving on the left stile of the side chair illustrated in fig. 51. (Photo, Gavin Ashworth.)
Figure 54
Side chair attributed to the shop of Benjamin Randolph, Philadelphia, Pennsylvania, 1765–1770. Mahogany with tulip poplar. H. 41 1/2", W. 27", D. 15 1/2". (Courtesy, Colonial Williamsburg Foundation; photo, Hans Lorenz.)
Figure 55
Detail of the knee carving on the side chair illustrated in fig. 54.
Figure 56
Side chair attributed to the shop of Benjamin Randolph, Philadelphia, Pennsylvania, ca. 1770. Mahogany with unidentified secondary woods. Dimensions not recorded. . (Courtesy, Philadelphia Museum of Art, purchased with the Fiske Kimball Fund, the John T. Morris Fund, and funds contributed by Marguerite and Gerry Lenfest, the Richard Chilton Foundation, H. Richard Dietrich Jr., Robert L. McNeil Jr., Fitz Eugene Dixon Jr., Mrs. E. Newbold Smith, Charlene Sussel, Anne H. and Frederick Vogel III, Andrew M. Rouse, and Dr. and Mrs. Robert E. Booth, 2003.)
Figure 57
Detail of the knee carving on the side chair illustrated in fig. 56. (Photo, Gavin Ashworth.)
Figure 58
Side chair attributed to the shop of Benjamin Randolph with carving attributed to John Pollard, Philadelphia, Pennsylvania, ca. 1770. Mahogany with white oak. H. 36 3/4", W. (seat) 23", D. (seat) 19 1/8". The feet are restored. (Courtesy, Metropolitan Museum of Art, Rogers Fund, 1908 [08.51.10]; photo, Gavin Ashworth.)
Figure 59
Detail showing the knee carving on the chair illustrated in fig. 58. (Photo, Gavin Ashworth.)
Figure 60
Detail of the door frieze illustrated in fig. 8. (Photo, Gavin Ashworth.)
Figure 61
Benjamin Randolph, side chair, Philadelphia, Pennsylvania, ca. 1770. Mahogany with white cedar. H. 37", W. 22 5/8", D. 19 1/2". (Courtesy, Yale University Art Gallery.) This chair has Randolph’s label on a seat rail.